Sicario – A Review

Sicario is one of the best films of 2015, a taut, compelling, beautifully lensed thriller about the hunt for a crimelord.
That’s it. Though for the first half it seems to be so much more. It’s also a Trojan horse of a movie, making you believe that Emily Blunt’s FBI officer heroine Kate Mercer is the main character when in fact it’s Benicio Del Toro’s duplicitous protagonist or antagonist that knits the movie together. 

Josh Brolin is terrific as the government agent who acts as a bridge between Blunt and DelToro, while Harry Enfield’s old colleague Daniel Kaluuya is on fine form as Blunt’s colleague. 

  

The ominous score by Johann Johansson is filled with slow building menace, while Roger Deakins’ photography is stunning. 

See it on a big screen and then wait for the obligatory Golden Globe nods. 

One of the best things about it is the fact it’s a real drama, not some advert for a video game, or a franchise launching adventure. Nor is it a vanity project. It has meat on its bones and sustains the interest from start to end. 

On the strength of this, director Denis Villeneuve’s Blade Runner 2 cannot come soon enough. Given the fact his work on Prisoners was outstanding, it’s good to see him go from strength to strength. 

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